Why haunted houses




















Unfortunately, most haunted houses make for a bad combination of very low prospect for us, and very high refuge for the creepy-crawly things that are lying in wait to get us. Research has confirmed that people experience such environments as unsafe and dangerous. Such places also lack what environmental psychologists refer to as legibility. Legibility reflects the ease with which a place can be recognized, organized into a pattern and recalled—in other words, a place that we can wander around in without getting lost.

Thus, the typical haunted house is large, dark, surrounded by overgrown vegetation, and full of surprising architectural features such as secret rooms and closets under staircases.

Attics and basements are also must-have items, and, of course, spider webs, bats, rats, and insects make nice accessories. It usually involves a story about a grisly death or accident. There may even be a history of suicide and murder. Stimuli such as moldy odors, antiquated Victorian or Gothic architecture, wood interiors and old portraits on the wall reinforce an ambiance of great age. Assuming that the house is no longer occupied, signs of life suddenly interrupted and frozen in time only amplify the fear factor.

For example, remnants of a half-eaten meal on a kitchen table or clothing laid out on a bed waiting for a homeowner who has apparently vanished without warning create a frightening ambiguity about what may have taken place in the house.

There are bonus points awarded if the house is conveniently located next to or on top of an old cemetery or burial ground! Individuals who believe in paranormal phenomena and have expectations that creepy things might actually be present in such a place are more likely to engage in the sort of top-down, cognitive processing that induces fear. Ultimately, whether or not a house is perceived as haunted obviously depends upon something other than the physical features of the house.

Just as important are the inherent beliefs of the person exploring the house. Why are we afraid of clowns? The views expressed are those of the author s and are not necessarily those of Scientific American.

You can follow AiP on Facebook. Follow Krystal D'Costa on Twitter. Already a subscriber? Sign in. Thanks for reading Scientific American. Create your free account or Sign in to continue. See Subscription Options. Discover World-Changing Science. And critics appeared to have agreed: James Lane said the house looked ghostly and murderous 2. Helen Appleton Reed spoke of a sense of pervasive evil and corruption tied to the house 2. Elisabeth Luth Cary felt that it had "come alive" 2. Burns writes: "the Victorian house became home to psychological demons.

Citations: Burns : 4 Burns : 6 Burns : -- You might be interested in: Sarah Burns has written and spoken extensively about this topic. Image Credit: Forsaken Fotos. Load comments. Get smart. Sign up for our email newsletter. Sign Up. Read More Previous. Support science journalism. In the aftermath of their deaths, attractions were shut down , and politicians enacted stronger safety regulations.

Volunteer organizations struggled to compete against new competition under tougher rules. Soon, many were forced out of business. It was a watershed moment for the industry, says Kirchner: "The Jaycees got pushed out because their haunted houses were fairly basic.

It was based on the premise that people would volunteer, but when you have people opening big haunted houses with lots of advertising, that's hard," he says. During the next two decades, the number of professional haunted houses erupted.

Kirchner estimates that roughly 2, of them operated nationwide last year. These days, haunted houses are no longer just about creepy characters and hyper-realistic horror. Instead, the industry has flocked to all sorts of new, extreme frights: zombie runs , escape games , and experiences seemingly designed to traumatize. How long will these successes last?

Can the haunted house last another half-century? And if it does, what will it look like? Kirchner doubts that the haunted house is here to stay. Chris Heller is the assistant digital editor, humanities, for Smithsonian. A Rasch hierarchy of haunt and poltergeist experiences. Hauntings and Poltergeists: Multidisciplinary Perspectives. Cross-examining the case for precognition: commentary on Mossbridge and Radin Quantifying the phenomenology of ghostly episodes: Part II — a Rasch model of spontaneous accounts.

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